{"id":8818,"date":"2024-03-20T14:37:11","date_gmt":"2024-03-20T13:37:11","guid":{"rendered":"https:\/\/www.mjb-jmb.org\/?p=8818"},"modified":"2024-03-26T13:10:19","modified_gmt":"2024-03-26T12:10:19","slug":"laboratoire-des-rituels-misafirperver-de-hilal-aydogdu-nocturnes","status":"publish","type":"post","link":"https:\/\/www.mjb-jmb.org\/en\/laboratoire-des-rituels-misafirperver-de-hilal-aydogdu-nocturnes\/","title":{"rendered":"Laboratory of Rituals &#8211; Misafirperver de Hilal Aydo\u011fdu (NOCTURNES)"},"content":{"rendered":"\n<p>As part of NOCTURNES, the third &#8220;Passage&#8221; tour will open on April 11 in our Project Space, inviting you to explore the contemporary resurgence of beliefs and rituals through a program of unique performances.<\/p>\n\n\n\n<p>In Turkish culture, when you welcome someone, you give them your bed, your home. Misafirperverlik means \u00abhospitality \u00bb in Turkish. The term has Arabic roots: \u00abmusafir\u00bb, \u00absafar\u00bb, which also means \u00abhunger\u00bb and \u00abhe or she who goes on an expedition, who goes far away\u00bb. And Persian roots: \u00abparvar\u00bb, meaning \u00abto feed, to bring up, to educate\u00bb. Misafirperver therefore means \u00abhe or she<br>who feeds his or her guest\u00bb. <\/p>\n\n\n\n<p>The performance is two-fold: \u00abthe preparation\u00bb and \u00abthe meal\u00bb.<br>Duration: 2 h00.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>Hilal Aydo\u011fdu<\/strong> (1998, Li\u00e8ge), holds a Master\u2019s degree in drawing from the Acad\u00e9mie des Beaux-Arts de Li\u00e8ge and has practiced performance art for several years, in depth at La Cambre.<\/p>\n\n\n\n<p><br>Hilal questions the place of women in a man\u2019s world. She proposes to apprehend the devices that work to establish a deleterious hegemony &#8211; that of patriarchy &#8211; mainly through culture, by exploring the morbid lexicon of the values and injunctions it conveys: honor, virginity, obedience. Performance and installation allow her words to take shape; by breaking the boundaries between the object and<br>its flesh, by playing with what can be forced together, she attempts to suggest imbalance, to let the union give rise to vertigo, and vertigo to fall.<\/p>\n\n\n\n<p><br>She aims to confront the order that strikes in the name of ideals that damage women with the consequences of its reign, reflecting back to it the horror and pain they generate.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>Program :<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>guided tour of the &#8220;Passage&#8221; exhibition at 6pm (FR)<\/strong><\/li><li><strong>guided tour of the &#8220;Passage&#8221; exhibition at 6:30pm (NL)<\/strong><\/li><li><strong>Performance Misafirperver by Hilal Aydo\u011fdu from 6 pm to 8 pm (FR,NL,EN)<\/strong><br><br><strong>For bookings &#8211;&gt; via the Nocturnes website (ticket sales open on March 25)<\/strong><\/li><\/ul>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"130\" src=\"https:\/\/www.mjb-jmb.org\/wp-content\/uploads\/2024\/03\/Nocturnes2024-mail-2.jpg\" alt=\"\" class=\"wp-image-8846\"\/><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As part of NOCTURNES, the third &#8220;Passage&#8221; tour will open on April 11 in our Project Space, inviting you to&#8230;<\/p>\n","protected":false},"author":2,"featured_media":8819,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54],"tags":[],"class_list":["post-8818","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-event"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.mjb-jmb.org\/en\/wp-json\/wp\/v2\/posts\/8818","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mjb-jmb.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mjb-jmb.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mjb-jmb.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mjb-jmb.org\/en\/wp-json\/wp\/v2\/comments?post=8818"}],"version-history":[{"count":16,"href":"https:\/\/www.mjb-jmb.org\/en\/wp-json\/wp\/v2\/posts\/8818\/revisions"}],"predecessor-version":[{"id":8935,"href":"https:\/\/www.mjb-jmb.org\/en\/wp-json\/wp\/v2\/posts\/8818\/revisions\/8935"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mjb-jmb.org\/en\/wp-json\/wp\/v2\/media\/8819"}],"wp:attachment":[{"href":"https:\/\/www.mjb-jmb.org\/en\/wp-json\/wp\/v2\/media?parent=8818"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mjb-jmb.org\/en\/wp-json\/wp\/v2\/categories?post=8818"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mjb-jmb.org\/en\/wp-json\/wp\/v2\/tags?post=8818"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}